<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	>

<channel>
	<title>Phyllis Dalton - Career in Costume</title>
	<link>https://phyllisdalton.co.uk</link>
	<description>Phyllis Dalton - Career in Costume</description>
	<pubDate>Mon, 17 Aug 2015 23:34:03 +0000</pubDate>
	<generator>https://phyllisdalton.co.uk</generator>
	<language>en</language>
	
		
	<item>
		<title>Home Page</title>
				
		<link>http://phyllisdalton.co.uk/Home-Page</link>

		<comments></comments>

		<pubDate>Mon, 17 Aug 2015 23:34:03 +0000</pubDate>

		<dc:creator>Phyllis Dalton - Career in Costume</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">345685</guid>

		<description>
&#60;img width="2261" height="2799" width_o="2261" height_o="2799" src_o="https://cortex.persona.co/t/original/i/21deba1fa15068d42ca5b9dd8f57fdb525c78a9ba56fb263d567beab3e860850/PHYLLIS-DALTON-COVER.jpg" data-mid="1421475" border="0" /&#62;


This is the extraordinary story of costume designer, Phyllis Dalton MBE (1925-2025), filled with insights, recollections and revelations from a life spent on the great film locations of the 20th century. 
In conversation with Alexander Ballinger, Phyllis Dalton reveals how she created some of the silver screen’s most unforgettable and iconic costumes while working with legendary directors such as Alfred Hitchcock and David Lean; a woman in a man’s world.



&#60;img width="2560" height="3354" width_o="2560" height_o="3354" src_o="https://cortex.persona.co/t/original/i/173809596ad9ffa92d367e0c3edf00bb99d0054d7370a1aeaa2256420a0381c7/Phylis_-1881.jpg" data-mid="1421479" border="0" /&#62;&#60;img width="3442" height="2360" width_o="3442" height_o="2360" src_o="https://cortex.persona.co/t/original/i/04ca16ba6529c88d5feb96010add175d7d398192697caf83d15816977cca51ea/Phylis_-1872-2.jpg" data-mid="1421482" border="0" /&#62;&#60;img width="2000" height="2999" width_o="2000" height_o="2999" src_o="https://cortex.persona.co/t/original/i/43335774a3e1e8e01d47405352e8e7c83de4b85a5b933b6ebf0c26aa64d06700/Phylis_-1918-edited-copy.jpg" data-mid="1421477" border="0" /&#62;&#60;img width="2000" height="2824" width_o="2000" height_o="2824" src_o="https://cortex.persona.co/t/original/i/1f14c9e4c27159bfa88bb722d0d5e9ee3bfcd001ce5733c6ad71f6c7c9c0c8ac/Phylis_-1934.jpg" data-mid="1421478" border="0" /&#62;&#60;img width="2000" height="3115" width_o="2000" height_o="3115" src_o="https://cortex.persona.co/t/original/i/41d18d65e165b69e74eabe364118d67e9d059ab5d3e592ad7cc942584c9b8541/Studio-Session-022-edited.jpg" data-mid="1421481" border="0" /&#62;&#60;img width="2620" height="3779" width_o="2620" height_o="3779" src_o="https://cortex.persona.co/t/original/i/9f3cf01d3acd88d8cafa6523e93619b744607a711b1ac7a52a5c2d4e96961746/Studio-Session-020-edited.jpg" data-mid="1421480" border="0" /&#62;&#60;img width="2000" height="2537" width_o="2000" height_o="2537" src_o="https://cortex.persona.co/t/original/i/7e55ee8dba03f454fa4abc35191702020ed26f1a770de40633deb927c7586a6d/Phylis_-809.jpg" data-mid="1421485" border="0" /&#62;&#60;img width="3236" height="4281" width_o="3236" height_o="4281" src_o="https://cortex.persona.co/t/original/i/fa1c3d6eeffa8254e19c9a12e0f2ae6cbbf3e1ffbe228f20e65a104f04349f7d/Phylis_-1910.jpg" data-mid="1421484" border="0" /&#62;&#60;img width="3103" height="4019" width_o="3103" height_o="4019" src_o="https://cortex.persona.co/t/original/i/e1f4eab98c49aaef8e7efb09060be780dfbf829ab0790d75215c7c5ba771aa67/Phylis_-1938.jpg" data-mid="1421483" border="0" /&#62;&#60;img width="2000" height="2623" width_o="2000" height_o="2623" src_o="https://cortex.persona.co/t/original/i/4b0b861324517a66f9d39924edcd5336dd97f9f1444da20a19546d55728aaa0a/Studio-Session-035.jpg" data-mid="1421486" border="0" /&#62;

Phyllis Dalton A Career in Costume Lawrence of Arabia to The Princess Bride spans Dalton’s extraordinary 50-year career in the film industry. Having sewn in Soho workrooms for Laurence Olivier’s Henry V, she did intelligence work at Bletchley Park. After serving an apprenticeship at Gainsborough Studios, Dalton designed costumes for The Man Who Knew Too Much and helped recreate Ravensbrück for Carve Her Name with Pride. Following risky location work on the Cold War thriller, Our Man in Havana, she designed costumes for the epic Lawrence of Arabia and Doctor Zhivago, for which she won the Academy Award for Best Costume Design. Cult classics, Oliver!, A Private Function and The Princess Bride ensued before Dalton enjoyed a late renaissance with a young Kenneth Branagh on Henry V, which brought another Oscar, and Much Ado About Nothing.

Many of the book’s illustrations have been sourced from Phyllis Dalton’s personal archive and showcase unique ephemera, fabric swatches, production stills, large format pencil &#38;amp; watercolour sketches, and pages from production notebooks from six decades of film-making. Many of these stunning images, including Dalton’s personal on-location photographs from the Lawrence of Arabia shoot, have never been published before.Click the link below to hear Alexander Ballinger remembering Phyllis Dalton on Radio 4’s Last Word on 31st January 2025.
  Play Show here




EVENTS &#38;amp; TALKS

Alexander Ballinger will be talking about Phyllis Dalton A Career in Costume Lawrence of Arabia to The Princess Bride at literary festivals throughout 2026 and 2027. 

Expect to be entertained by recollections, insights and revelations from a lifetime spent on the world’s great film locations: from epics like&#38;nbsp;Lawrence of Arabia,&#38;nbsp;Doctor Zhivago and&#38;nbsp;Oliver! to Kenneth Branagh's&#38;nbsp;Henry V and cult classics The Princess Bride and Alan Bennett's&#38;nbsp;A Private Function. 

Discover how a chance encounter in a bookshop led to an enduring friendship and a ten-year-in-the-making landmark book on film costume. 

Illustrated with a plethora of images from Phyllis Dalton's unique archive, the talk is guaranteed to captivate even the most jaded bibliophile or cinephile.

This page will be updated as further events are announced.


FESTIVAL SCHEDULE
FestivalDateLocation&#60;img src="https://cortex.persona.co/t/original/i/b9e505fb78f3f2d984e1afdd16ef1b23b7ae561aa49562c8e1a6da9d4871f035/bibury.png" alt="Bibury Festivals logo"&#62;SaturdayApril 24thBibury Literary Festival11.25amwww.biburyfestivals.com&#60;img src="https://cortex.persona.co/t/original/i/464a4eb822c56e245bbf425cb72d36b389e61696a225e94238e570c88bd7b12d/ilminster.png" alt="Ilminster Literary Festival logo"&#62;ThursdayJune 4thIlminster Literary Festival3.30pmwww.ilminsterliteraryfestival.org&#60;img src="https://cortex.persona.co/t/original/i/1c88f7848087d1a71939501ed84c43ff323a93c83fda92e8754332d99441747c/barnes.png" alt="Barnes Bookfest logo"&#62;SundaySeptember 27th
Barnes Book Fest
10 am 
 

In conversation with Rita Tushingham.www.barnesbookfest.org
&#60;img src="https://cortex.persona.co/t/original/i/c1f03e3abce8d29c95ae42c41cac377ea36b79606c53a17a08f156d3eff1a41d/logo_hd_2019.png" alt="Berwick Literary Festival logo"&#62;SaturdayOctober 3rdIlkley Literature Festivalwww.ilkleyliteraturefestival.org.uk
&#60;img src="https://cortex.persona.co/t/original/i/0f187ab37eb1a645db34e247359f49e49195fc8961487ef89ea29b1de51d3c54/berwick.png" alt="Berwick Literary Festival logo"&#62;SaturdayOctober 10thBerwick Literary Festivalwww.berwickliteraryfestival.com&#60;img src="https://cortex.persona.co/t/original/i/b2289d75dc374b99d3521db2744979eeb7970b4741b8f585ec8606bcff4e5834/wantage.png" alt="Wantage Literary Festival logo"&#62;ReplaceFridayOctober 30thWantage Literary Festival2pmwww.wantageliteraryfestival.co.uk&#60;img src="https://cortex.persona.co/t/original/i/9ee1001548e844434ac3afedcf807a3ab0652751549726ba7490774392750b25/SCL-logo.png" alt="Visit Southwold logo"&#62;SaturdayNovember 14thSouthwold Literary Festivalhttps://suffolkcommunitylibraries.co.uksouthwold-literary-festival/&#60;img src="https://cortex.persona.co/t/original/i/b3c4f5f27df5a430d8f960c274a94e7406ab8770b2242ff8dcaf60db2defccdf/nether-stowey.png" alt="Thomas Poole Library Nether Stowey logo"&#62;WednesdayNovember 25thNether Stowey Literary Festivalwww.thomaspoolelibrary.org.uk&#60;img src="https://cortex.persona.co/t/original/i/8bac32836c7e6fc924b1de74df32649fbc2bc9dd57eb759581494630f0697200/Talking-roadshow.jpg" alt="Thomas Poole Library Nether Stowey logo"&#62;SaturdayDecember 5thThe Talking Pictures Festival of Film &#38;amp; TV Christmas Roadshowwhatsonhebdenbridge.com




WHERE TO BUY

The book is distributed by Yale University Press for Clapperboard Books.

BUY VIA YALE UNIVERSITY PRESSAlso available at:
UK
                                
                                                                            Arnolfini Bookshop, BristolBailey Hill Bookshop, Castle Cary
  The Barnes Bookshop
  Blackwell’s, Oxford
  Foyles, Charing Cross Road
  Hatchards, Piccadilly
  Heywood Hill, Mayfair
  Mr B’s Emporium, Bath
  Toppings, Bath
  Waterstones, Piccadilly
  The White Horse Bookshop, Marlborough

US










 Book Soup, Hollywood
  Hennessey + Ingalls, Los Angeles
  Rizzoli Bookstore, New York
  Skylight Books, Los Angeles
And all good bricks and mortar bookshops.



CONTACT



GLOBAL

United Kingdom, Europe, Africa, Asia, Australia and New Zealand
0207-079-4900
Yale University Press
47 Bedford Square
London WC1B 3DP
email: sales@yaleup.co.uk
yalebooks.co.uk
NORTH AMERICA
United States, Canada and Latin America
203-432-0960
Yale University Press
302 Temple Street
P.O. Box 209040
New Haven CT 06520-9040
email: sales.press@yale.edu
yalebooks.com

</description>
		
		<excerpt>This is the extraordinary story of costume designer, Phyllis Dalton MBE (1925-2025), filled with insights, recollections and revelations from a life spent on...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

	</item>
		
	</channel>
</rss>